New but not that great from Seth Rogen, an underused Judi Dench in Red Joan and more hot picks at DOXA
The Avengers hold the theatres and the box office again this week but here are a few alternatives and a good bunch at DOXA, the documentary festival. I cover six of them today (four by Canadians) while these from last week , Push, Gordon Lightfoot, Because We Are Girls and City Dreamers are still active too. You read the whole line up at www.doxafestival.ca
Long Shot: 2 ½ stars
Red Joan: 2 ½
Ugly Dolls: 2
Hail Satan: 3 ½
DOXA films: all highly recomended
We Will Stand Up
Illusions of Control
Call Me Intern
Also Now Playing: The Intruder: --
LONG SHOT: I love it when I can report that a local guy has made a fine movie. Unfortunately, I can’t with Seth Rogen’s latest. His spoof of American presidential politics is often funny but not very sophisticated. The jokes are obvious, mostly smart-alecky. There’s better and consistent satire in the late night talk shows on TV. Here, some of it works but the film largely turns into a rom-com full of immature wish-fulfillment. And I don’t detect much romantic chemistry.
Rogen is a cheeky journalist in this one, until he’s told to behave to please the new owner of the alternative newspaper he writes for. He quits instead and co-incidentally the Hillary Clinton-like Secretary of State (Charlize Theron) is told she needs a speechwriter who can put some jokes into her messages if she’s serious about running for president. Or before that, keep pushing that international environmental pact she has in mind. Sure, she hires Rogen. As a teenager she used to babysit him and according to a flashback stirred up some lusty feelings in him. Well, they’re back as they travel to conferences and hit the cocktail parties. He’s an outsider and often embarrassed. She’s told to drop the environmental stuff (orders from the president who came from TV and listens to businessmen) and that sparks a big idealism vs practicality argument. Inevitable and not at all deep. (Scotiabank, Marine Gateway and suburban theatres) 2 ½ out of 5
RED JOAN: Based on a true story. Yes, but not enough to tell it all or use real names. Or give Judi Dench as much time on screen as she deserves. The film spends much more time with her character’s younger self, played by Sophie Cookson.
Dench plays an 87-year-old widow who was arrested in 1999 for passing secrets to the Soviets. That was 60 years earlier at Cambridge University where quite a few students (remember Kim Philby and others?) got involved with the Communist movement. She worked on the atom bomb project, as Britain (and Canada) were in a race with the Americans, and at the behest of a classmate-and-cousin duo (Tereza Srbova and Tom Hughes) started passing along information. She was motivated by idealism but not much of that comes out in the film. Believe its version and you’ll think it was mostly love that drove her, for the co-conspirator cousin principally but also for a mentor in the lab. The film sinks into romantic melodrama rather than properly elucidating what she was thinking. The acting and the scene setting are fine, but Trevor Nunn, the director, lets the film wallow rather than grab us. (Fifth Avenue) 2 ½ out of 5
UGLY DOLLS: Its heart is in the right place. It delivers a message to kids to respect yourself and tolerate minor flaws in other people. Maybe even yourself. Nothing wrong with that thinking. But it doesn’t connect too much in this animated film which boasts a terrific voice cast and lots of color and still misses the mark. It’s for little kids, but doesn’t really fit them. After a cloying-cute start, that will turn older kids off, it goes over the heads of the young ones. Do they even know the word sycophant or some of the ideas thrown at them about perfection?